Scott Thompson’s “MISSINGINACTION” Is a Genre-Bending Meditation on Lost Love

Scott Thompson – known to many under his creative moniker 7saturns7 – is not merely stepping onto the stage of underground anti-pop; he’s reshaping it from within. With his latest single, “MISSINGINACTION,” the Southwest Florida native delivers a deeply intimate, sonically jagged and emotionally raw composition that dissolves the boundaries between heartbreak and healing. This isn’t just a track—it’s a sonic diary entry, tinged with distorted reverb, melancholic poetry, and an aching honesty that refuses to be diluted.

Hailing from the sweltering shores of southern Florida, Scott Thompson brings with him more than just regional grit. There’s a humidity to his sound—dense, slow-burning, and impossible to ignore. In “MISSINGINACTION,” Thompson pours his experience, confusion, and catharsis into a track that functions like a fractured mirror: every replay reflects a different emotional angle. It’s a tribute and a farewell, a rupture and a resolve.

This duality is what defines Thompson’s artistry. Anti-pop by nature but emotionally rich in structure, he weaves genre-defying elements with ease, from the jittery urgency of hyperpop, to the melancholic, guitar-driven textures of Midwest emo, all anchored by indie’s spirit of introspective rebellion.

The track opens in an unconventional yet piercingly intimate way: a soft, slightly garbled female voicemail. “I love you,” the voice says, sleepy and distant—both emotionally and physically. It’s not just a message left on a phone; it’s a ghostly presence, a tether to a love that still flickers despite its frayed ends. This voicemail bookends the track, creating a haunting echo that circles back as the song closes, underscoring the cyclical nature of emotional withdrawal and longing.

The lyrics that follow are deceptively simple at first glance—looped phrases, repetitive lines—but this repetition is its own language. Thompson sings: “Conversations with you in my head / I might turn off my phone, I might go M.I.A.” These refrains reveal a young man grappling not just with loss, but with the insidious effects of digital-age detachment. Isolation becomes self-imposed; shutting off the phone is symbolic of shutting out the noise, the demands, the rejection. This is the battle cry of someone seeking solace in silence, even when haunted by imagined conversations.

As the verse progresses, Thompson confesses: “Maybe I’m a little jealous, maybe I’m a little insecure.” These are not declarations; they’re quiet admissions of vulnerability. There’s no bravado here. This is emotional exposure without the armor. The line “Woke up on the floor” is less about physical location and more about emotional collapse, suggesting the aftermath of heartbreak as something physical, unshakable, embodied.

He continues: “You can’t take my life right from me / Tryna be the stronger man but you took him right from me.” These are perhaps the most devastating lines in the song. In this moment, Thompson isn’t just mourning a relationship—he’s mourning a former version of himself. The “stronger man” is gone, dismantled by emotional betrayal or abandonment, leaving a shell struggling to understand what remains.

Musically, “MISSINGINACTION” is meticulously chaotic. The jangling guitar lines carry the vulnerability of emo, while the punchy drums and waves of distortion usher in the raw edge of DIY production. His vocals—drenched in reverb and ever-so-slightly detached—become another layer of instrumentation. They’re not foregrounded to lead; they’re woven into the fabric of the track, allowing the listener to feel the lyrics as much as understand them.

And just when the momentum feels overwhelming, Thompson makes a deliberate artistic choice: the closing chorus is stripped down to a lo-fi acoustic rendition. The distortion is gone. The production recedes. What remains is raw, ragged, and bare. It’s as if the emotional walls have finally crumbled, and we’re left alone in a bedroom at 3 a.m., listening to a soul unspooling itself in real time.

Scott Thompson’s approach is not accidental—it’s intentional. He is an artist deeply aware of the emotional terrain he’s navigating. With this release, he builds upon the sonic palette introduced in his previous work, “COLOROFVIOLET,” expanding both his narrative and musical identity. While “COLOROFVIOLET” flirted with emotional introspection, “MISSINGINACTION” fully commits to it. This is the sound of a young man no longer testing the waters of vulnerability but diving headfirst into its depths.

Thompson’s ability to combine emotionally charged storytelling with genre-fluid production positions him not just as an artist to watch, but one to feel. In an era where so much pop music is polished to perfection and drained of risk, Scott Thompson—aka 7saturns7—offers a raw and relatable alternative. He doesn’t chase trends. He creates moods.

“MISSINGINACTION” isn’t just a breakup song. It’s a portrait of emotional detachment, internal conflict, and the quiet devastation of being ghosted not only by someone you love—but by the parts of yourself you once clung to. It’s a record for those who stare at their phone long after turning it off, for those who play conversations in their head until they forget what was real.

This is Scott Thompson’s gift: the ability to articulate emotional chaos with sonic clarity. With “MISSINGINACTION,” he doesn’t just tell a story—he lets you live inside it. And once you’re there, don’t be surprised if you choose to stay a while.