Cinic, with his album “Esto, Malista, Eisvoli,” showcases an adept mastery of both lyrical craftsmanship and musical arrangement. His ability to seamlessly blend Portuguese and English lyrics is not just a linguistic feat but a testament to his versatility in navigating different cultural nuances and audiences. The deliberate choice of languages enriches the album’s accessibility while adding layers of depth to his storytelling. Lyrically, Cinic is a provocateur, wielding his pen with a potent mix of humor, wit, and biting cynicism. He fearlessly confronts contemporary societal themes, dissecting it’s excesses of its culture and addressing the pressures of conformity. Cinic’s lyrical prowess lies not only in his ability to provoke but also in his capacity to spark introspection, challenging listeners to question societal norms and their own perspectives.
The album sets the stage with “Fábrica De Moldes,” a track that propels the listener into a world of rolling basslines, intricately layered synths, and an infectious rhythm that sets the tone for what’s to come. Cinic’s vocals take center stage, resonating with a magnetic quality amidst catchy choruses and pulsating beats. “OnlyFãs” stands out as a scathing critique of the excesses inherent in social media culture. Here, biting sarcasm meets harsh truths, all against a backdrop of dynamic music teeming with vibrant horn flourishes. The explicit yet tongue-in-cheek “Clean Your Penis” catapults the listener into an explosion of dancefloor rhythms, weaving provocative themes with an irresistible groove.
“Cona, Como Eu” rides on animated hi-hats and psychedelic keyboards, intertwining with Cinic’s biting vocals, creating a compelling sonic fusion. “Fuck PS Plus” takes a humorous jab at the frustrations tied to the PlayStation Plus subscription service and its games, layered over a fast-paced, funk-infused beat.
“Ponte De Lima” kicks off with an unwavering dance beat, allowing Cinic to explore an understated lower register before unleashing a chorus brimming with melody and intensity. “Instacurity” delves deeper into the album’s exploration of social media’s detrimental impact on mental health, encapsulating the constant pressure to conform to unrealistic standards of beauty and perfection, reflecting the anxiety and self-doubt that this can cause.
“I’m A Curriculum” unfolds with growling synths, thumping drums, and pulsating basslines, showcasing Cinic’s syncopated vocals and kinetic horn interludes. “Agnotologia” delves into the study of ignorance, offering a thought-provoking exploration of misinformation and deliberate ignorance.
The album culminates in the thought-provoking “All Philosophers Are Dead,” an introspective track delving into societal expectations, individualism, and the quest for creativity. Cinic’s lyrics pose existential questions, inviting listeners to ponder the meaning of existence and the wellsprings of inspiration for the future.
“Esto, Malista, Eisvoli” isn’t merely an album; it’s a daring journey through societal themes, adorned with Cinic’s cutting-edge lyricism, diverse vocal range, and irresistibly funky soundscapes. Cinic’s unfiltered expression of societal observations, melded with a unique brand of humor, solidifies his status as a trailblazer in the musical landscape.
Cinic’s artistry serves as a beacon, challenging listeners with acute and critical mindsets, offering a stimulating and witty musical narrative. His fearless fusion of insightful perception and unfiltered humor births an album that’s not just memorable but an invitation to groove, think, and introspect.
In a musical universe craving authenticity, Cinic’s unbridled individuality and raw, biting creativity are a much-needed breath of fresh air. He fearlessly wields his craft, echoing the boldness of his influences while carving a distinctive path uniquely his own. “Esto, Malista, Eisvoli” is a testament to the boundless potential of musical expression when infused with unapologetic authenticity.
OFFICIAL LINKS: YOUTUBE – INSTAGRAM @C.ini.c
