Damian Sage: “Memories” is dramatic and haunting
There has never been such a gap between popular and quality mainstream music as there is today. The biggest cause of this shift is technology. You can listen to virtually…
Mark Adams Son Of Bill: “Living in the Shit Age” – a series of sonic throat punches
One part distortion, one part melody, and two parts face-melting guitars. “Living in the Shit Age” is a very uncomplicated album, with only really having guitar, bass, drums and vocals…
Rampancy at Midnight: “In Which This” demonstrates the uniqueness of the artist
Rampancy at Midnight (RaM) is a conceptual project based in Lexington, KY that intertwines and defies genre while blending personal experiences with thought provoking story telling. RaM just released their…
The Forgotten 45’s: “In Case You Forgot” – something sprawling and magnificent
All The Forgotten 45’s songs exist on a continuum between two poles: snappy, melodic-inflected pop tunes and vast, mind-altering classic rock soundscapes. “In Case You Forgot”, the band’s sophomore album,…
Jake Ward: “Sound With Intention” has perfected its own genre
Jake Ward, a longtime singer-songwriter, producer, performer, and multi-instrumentalist with years of experience writing original songs, performing, and contributing to a plethora of musical projects. Ward attributes his musical awakening…
A New Way to Live Forever: “Monument” – a contemporary rock-soul style
Fort Lauderdale’s A New Way to Live Forever is an alternative indie-rock band led by dynamic front man Russ Rogers (Vocals/Rhythm Guitar) with Phil Tucciarone (Drums), Steve Velez (Bass), Stephen…
Brothers + Company: “Search Team” – soaring beautiful orchestration
Brothers + Company are gearing up for the release of their new EP titled “RUN”. Consisting of two sets of brothers, Jake & Josh Briggs and Marcus & Steven Rutherford…
thisiswar: “The Lonely Life of a Space Traveler” – both creative and focused!
thisiswar came to life as the solo imprint of song-writer Travis Wright, who began his career back in 1998. The project’s lo-fi indie-folk sound and alt-rock roots set out to…
